Nah, apakah Anda ingin mengetahui lebih lanjut tentang karakteristik desain interior Postmodern ini? Simak penjabarannya di bawah ini. The Memphis Style, salah satu gaya desain Postmodern paling berpengaruh. Memphis adalah desain kolaboatif yang dibuat oleh desainer asal Italia, Ettore Sottsass. Pada gaya desain ini, ia menekankan beberapa warna — warna yang bisa dijadikan alternatif untuk menunjukkan karakteristik Postmodernisme dan bisa diterapkan dalam mendesain interior, misalnya warna merah tomat, biru cerah, merah muda, serta motif — motif mosaik dengan warna hitam.
Warna — warna ini biasanya dihadrikan bebarengan dengan aplikasi material industri, seperti seng atau kaca. Pernyataan sedikit berbeda dilontarkan Ed Sexton dan Doug Taylor, sejarawan di dunia desain. Mereka mengutarakan bahwa karakter dari Memphis style adalah adanya eksplorasi terhadap warna — warna ungu, merah, hijau, biru kehijauan, dan kuning. Selain itu, terkadang hadir pula warna hitam atau putih sebagai aksen, misal dalam wujud motif mozaik.
Bagaimana Memphis Style bisa memberikan pengaruhnya pada gaya desain Postmodern? The modernism movement began to unfold as it moved away from using traditional building and design materials like wood, stone and brick and instead began to focus on industrial materials including glass, steel and concrete.
The most recognised and influential design philosophy was created by the German Bauhaus school of design in the s, whose design aesthetic was centred on the belief that form should combine with function. This principle saw the emergence of modern design and a style that we recognise and continue to use today.
From the stark white look of minimalism, industrialism and Scandinavian interiors to the richer, bolder forms of rustic modern, maximalism, mid-century and glamour.
Modern interior design is shaped by a heritage of clean lines, geometric form, clear spaces, function and storage. Below we explore some of the concepts behind modern design style, how to distinguish each approach and how to create the look in your own home. Based on the concepts of simplicity, with influences taken from Japanese gardens and Scandinavian design , minimalism can often seem austere, however, the idea of this design is to streamline the components of living.
Minimalism provides a clear lifestyle for the homeowner to enjoy by creating a room in which every piece of furniture, shelf, cupboard or work of art has a distinct and necessary function within the space.
With its roots in modern interior design, form is also an essential element at play in minimalist interiors, pieces are chosen because they connect with each other, the space they are in and the exterior they look out and onto, altogether they provide the perfect edit of a calming aesthetic.
One of the great examples of modern minimalist design and architecture is of course the Frank Lloyd Wright houses whose approach to design was to create modern homes that offered both functionality and simplicity. Interior designer Ula Burgiel specialises in minimalism, and explains:. Especially when we are distracted with social media and busy schedules, we need homes that help us unwind with clarity, this design helps achieve that.
To create a minimalist space in your home, consider these rules; uncluttered rooms with designated storage, clean lines and natural or monochrome colours.
Everything in the room must have a purpose and a place. Unnecessary decoration, frills, artworks or extras should be removed, consider the details and architecture of your home and honour this instead. Minimalism is perfect for smaller spaces and remember, less, ultimately, is more. Industrial interior design takes its cue from the distinct look and feel of factories, warehouses and manufacturing structures of the 20th century. As globalisation changed the way we lived and worked, materials and objects were produced elsewhere in the world, major cities such as New York, London and Berlin were left with vast abandoned warehouses and factories — these old technical buildings informed the foundation of this particular school of design.
The aesthetic of industrial design shines a light on the former architectural structure and form of these spaces. The interior style is found in the use of salvaged materials; revealing the details within a building, including brick walls, exposed pipes, ducts and wooden frameworks, concrete flooring, steel framed Crittall windows and doors and opening up living spaces to create lofty ceilings and large open plan rooms. To recreate this in your own home consider the following when thinking of industrial design.
Open plan living is almost de rigueur to this look, grand, breath-taking spaces that celebrate the original structural frames of the building. Use exposed stone or brick walls, concrete floors and floor to ceiling windows and doors to take advantage of the architecture. Having a large space to work with allows you to display generously sized and striking pieces of furniture, rugs and artworks. We just have to say, what a blast!
Not mall bangs and mullets again! On the more calming end — what we sense will dominate style shifts particularly in our region — pastel palettes are everywhere we look, from design magazines to couture runways. We are, like, so totally over The Modern Movement. The style is characterized by a flagrantly bold and varied mix of shapes and textures that were irreverent and unclassical.
In fact, they took classical references and blew them up for play, because anything associated with a known establishment was being questioned, tossed out altogether, or better yet, hysterically mocked. In this avant-garde design period, the form did not follow function, and to tell the truth, form and function were flipping the bird at each other and anyone else.
Empty frames hanging on a wall, oversized nonfunctioning fireplace chimneys, exaggerated sized light fixtures — all played a part in the raucous romp. After years of clean, even barren modernism, the playful geometric layers and patterns were a refreshing shock to the palette. Akin to walking around a colorful, bustling new city after being in a stark and style-less airplane for hours on end.
Some of our favorite interpretations, however, mix just one or two elements that are decidedly from the postmodern interior design era into a lively modern design scheme. Coming home to your own unique haven can be just as refreshing as that escape to an energetic city. Notice how skillfully the designer has blended the old with the new in the living room just above.
Bark and stone, not usually found in the kitchen, and the mark of an ingenious designer and a tolerant client. Another room in many homes where designers often have to struggle is the kitchen.
Let's face it, kitchen appli-ances come in only one style, and it's not Postmodern. Designers have much the same problem in creating period kitchens as well.
Often the answer is to choose black, or brushed chrome then blend them with stone or unfinished woods. The brave designer for the kitchen below bottom-right has even gone so far as to leave the bark exposed, perhaps to remind his clients of how many trees had to die to afford them a Postmodern kitchen.
Dining rooms are somewhat simpler. There are no damned appliance with hard edges and sharp corners to deal with. Nor do separate dining rooms have sinks, dishwashers, exhaust fans, ungainly refrigerators and acres upon acres of granite countertops. In fact, dining room furniture is more likely to be purchased new and more likely to bear at least some traits of Postmodern design. The problem is that separate dining rooms are now becoming nearly extinct in the context of Postmodern architecture.
Postmod-ern architects love to blend living spaces, which very often puts the dining area either in or directly adjacent to the kitchen, once more imposing upon the quiet sanctity of the family dining time the hectic hubbub of food preparation and all the aforementioned robotic kitchen aides so deficient in anything other than Bauhaus modernism. The Postmod-ern kitchen designers at right have employed a number of tactics in breaking free of the sterile, white or white, ambience so common in kit-chens during the height of Mod-ernism.
Ceiling beams are left open; bright colors run rampant; framed family photos adorn the walls; straight edges are jettisoned in favor of curves; comfort co-ops style; and everywhere the practical takes pre-cedence over the pretty.
Unlike past decorating eras, no room in today's modern home gets more attention or lends itself more easily to Postmodern design than the bathroom. Unlike kitchen appliance designers, those involved in designing plumbing fixtures seem to be on a roll. Commodes have become sleeker, showers larger and more transparent, while bathtubs are becoming downright decadent in terms of size and shape.
You can actually buy transparent Lucite bathtubs, though I'm not sure exactly why you'd want to. Statistics tend to indicate Americans are spending more and more time in areas associated with bathing, dressing, and physical exercise which, given the Postmodern tendency to combine various functional living spaces, it's only natural that bathrooms should become more spacious, more luxurious, and more beautiful.
Architects are now designing bathtubs and spas set before windows affording bathers broad, unobstructed, scenic views while beside them, a fire crackles in the bathroom fireplace probably burning natural gas.
With bathrooms like this, who needs the rest of the house? Last, but not least, the architect's favorite plaything, the stairway, has come in for various postmodern designer treatments.
For the most part they're not getting fancier or more decorative but instead, more practical as they share that trait with many other Postmodern domestic elements.
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